Essays
“The skin of displaced event in Aotearoa performance art,” Performance Art of Aotearoa New Zealand 1969-2022, Massey University Press forthcoming 2024
“Concurrence” response to Anoushka Akel, Michael Lett Gallery 2022
“Umbral poetics,” Poetry Salzburg Review 38 2022
“Withness in kind,” Performance Paradigm 16 2021
“Luminol historiography,” Ka Mate Ka Ora 18 2020
“Distributed centrality again” in Ka Mate Ka Ora 18 2020
“Breach as flow in the pandemic learning room,” Knowledge Cultures 8.2 2020
“Soft text and the open line,” Axon 8.1 2018
“The right to be transplace,” Wretched Strangers, Boiler House 2018
“Bioautography and VULVA’S MORPHIA,” Chicago Review 60.4/61.1 2017
“Affective mind and blood language and Stephanie Christie,” Poetry New Zealand Yearbook, 2017
“Thought point,” New Theory 2 2016
“Contemporanullity in the digitas,” Journal of Poetics Research 2 2015
“Resingularity,” The Physics Room 2014
“Spain Journal,” Ka Mate Ka Ora 12 2013
“Membranism, wet gaps, archipelago poetics,” Reading Room: A Journal of Art and Culture 4 2010
“333 types of poetic mimesis in 999 words,” Ka Mate Ka Ora 7 2009
“Words for Alice Notley,” Intercapillary Space 2008
“Why I Hate Realism,” Aufgabe 7 2008
“Laura (Riding) Jackson e o absoluto poético”/“Laura (Riding) Jackson and the poetic absolute,” Mindscapes: Poemas de Laura Riding, Editora Iluminuras 2004
“Relinquish Intellectual Property,” New Literary History 33.2 2002
“The T-function in Laura Riding’s Though Gently,” Delmar 8 2002
“If meaning, shaped reading, and Leslie Scalapino’s way,” Qui Parle 12.2 2001
“Creating Criticism,” Anarchism Is Not Enough by Laura Riding, critical edition by Lisa Samuels, University of California 2001
“Deformance and Interpretation,” with Jerome McGann, New Literary History 30.1 1999
“Poetics and community in Lyn Hejinian’s ‘Reason’,’” Verdure 2 2000
“Introduction to Poetry and the Problem of Beauty,” Modern Language Studies 27.2 1997
“Eight justifications for canonizing Lyn Hejinian’s My Life,” Modern Language Studies 27.2 1997